If you want to adjust the amounts yourself, go to the Effect Controls panel. When the effect is applied, Auto Amounts are enabled, so the adjustments are made automatically. To adjust exposure, you can use the Shadow/Highlight effect.įind the Shadow/Highlight effect under Video Effects. In other words, our frame in the snapshot above has good exposure. If you want a good exposed shot, you should see the whitest highlights at around 100 IRE. The blackest shadows would be at around 0 IRE. Midtones should be around 70 IRE. If you had pixels that had values lower than 0 or higher than 100, you would start to lose detail. This is called clipping or crushing. (IRE stands for Institute of Radio Engineers.) In the Waveform Monitor, you can see the brightness of the pixels in that frame range from 20 to 100 IRE scale. In the snapshot below, you can see both the Program Monitor and the Waveform Monitor. Next, set Intensity to 100% so it is easier to read.
To configure the waveform monitor, uncheck the Chroma check box at the top. We have circled it for you below.Īlso, uncheck the Setup (7.5 IRE) checkbox. What this will do is set the scope's black level to 0. You can see the Waveform Monitor in the snapshot above. In the workspace, it can be found on the bottom right hand side, as pictured below.Ĭlick the Settings button in the Reference Monitor. Again, the Settings button always looks like a wrench. Select YC Waveform. To view the Reference Monitor, go to Window>Reference Monitor. The Waveform Monitor can be accessed through the Reference Monitor. To see the tonal ranges in the workspace, apply the Luma Corrector effect. Choose the Tonal Range output. The Three-Way Color Corrector for color adjustments The Gamma Correction for exposure adjustment The Shadow/Highlight for exposure adjustment
If all tonal ranges need to be adjusted equally, you can use the Brightness & Contrast effect or the Fast Color Corrector effect.
#Color correct adjustment layer final cut pro pro#
The important thing with color correction is deciding what tonal range needs to be adjusted, then make the adjustment using a Premiere Pro effect. The three color wheels pictured above let you adjust shadows, midtones, and highlights. The Three-Way Color Corrector can be found in the Effects panel. As with all effects, drag it to your video, then open the Effect Controls panel (on the left in the workspace). The Three-Way Color Corrector gives you the ability to adjust each of these ranges. There are a few effects in Premiere Pro can help you adjust these ranges. These ranges are shadows, midtones, and highlights. The Program Monitor shows you the tonal range view. When you make some adjustments to brightness and contrast, your video gets divided into three tonal ranges. You can "gang" the Source Monitor and Program Monitor via the Source Monitor panel menu. This will show you two views of your video that give you a glimpse of "before" and "after." About Tonal Ranges This workspace can provide three different views of your video. The Color Correction workspace is pictured below. You can access the Color Correction workspace by going to Window>Workspace>Color Correction. However, to make it easier to access these tools, Premiere Pro also created a special workspace just for color correction.
In this article, we are going to talk about:Īll of the effects that you will need to correct the color and brightness in your video can be found in the Effects panel.
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